A script in WeClickk is not a document you email around. Scene headings, action, character, dialogue and parentheticals are real blocks, the runtime adds itself up as you type, and every version that goes to set is saved as a color-coded revision. Write the next scene below.
A real WeClickk script editor: the scene gets typed, the runtime adds itself up, the outline builds itself, and the draft is saved as a color-coded revision.
Desert Film is two scenes in: 1:18 written against a 2:00 target. The third scene exists as a message somebody sent at midnight. Type it into the editor: heading, action, character, dialogue, and watch the runtime, the outline and the revision list keep up on their own.
Track your script length against the target. Updates live as you write.
Type scene headings, action, character, dialogue. Tab through formats. Runtime calculates as you write.
Auto-generated from your scene headings. Click to jump to a scene.
Industry-standard color-coded revisions. Track every version sent to set.
Inline notes from director, script supervisor, or producer. Timestamped to scenes.
Scene, Action, Character, Dialogue and Parenthetical are real block types. Tab moves you to the one that comes next, ⌘1 to ⌘5 switch by hand. Nobody sets a margin.
Dialogue and action are estimated in seconds and added up live against the target you set, so you know the length before the edit does. Override any block by hand.
White, blue, pink, yellow, green, goldenrod: the ladder the industry already uses. Every version you send to set is a frozen, read-only snapshot with a name and an author.
Every scene heading becomes an outline row with its own runtime. Click one to jump straight to the scene.
Director, script supervisor and producer leave comments pinned to the exact line, timestamped and grouped by scene, instead of buried in a reply chain.
The shot list reads your scene headings, pulling location, INT or EXT and time of day out of the slugline, so every shot lands in the right scene.
The line that opens a scene: whether you are inside or outside, where you are, and what time of day it is. "INT. LOCKER ROOM - DAY" tells the crew three things they need before anything else. In WeClickk it is a block type of its own, and the shot list reads the location, the INT or EXT and the time of day straight out of it.
So a page on set can be identified across a room. Productions have used the same ladder for decades: white for the first draft, then blue, pink, yellow, green and goldenrod, wrapping back to white. WeClickk uses that exact order, suggests the next color for you, and keeps every saved revision read-only so the version the crew is holding cannot quietly change.
The old rule is a page a minute, which is close to useless for a 60 second commercial. WeClickk estimates every dialogue block at a speaking pace and every action block at a reading pace, sums them live, and shows the total against the target you set. Any block you want to pin down, you stamp by hand and the estimator leaves it alone.
Yes. Comments attach to a single block, not to a document, so a note from the director sits on the line it is about with the author and the time on it. Collaborators can comment even when they cannot edit, which is usually exactly what you want from a client or a script supervisor.
Every frame specced, grouped by scene, checked off on set.
PLAYBOOKThe brief gets signed before the shoot, V1 to locked.
PLAYBOOKSigned on set with a QR code, before take one.
PLAYBOOKThe approved number, tracked from brief to wrap.
PLAYBOOKThe day in blocks, and the callsheet reads from it.
PLAYBOOKThe one-page plan your crew reads the night before.
PLAYBOOKStart the day, log every take, and wrap on time.
PLAYBOOKCrew, kit, talent, and locations saved once, reused every shoot.
PLAYBOOKEvery frame specced, grouped by scene, checked off on set.
PLAYBOOKThe brief gets signed before the shoot, V1 to locked.
PLAYBOOKSigned on set with a QR code, before take one.
PLAYBOOKThe approved number, tracked from brief to wrap.
PLAYBOOKThe day in blocks, and the callsheet reads from it.
PLAYBOOKThe one-page plan your crew reads the night before.
PLAYBOOKStart the day, log every take, and wrap on time.
PLAYBOOKCrew, kit, talent, and locations saved once, reused every shoot.